“THE LEGEND OF WOLF ANGEL” is an 18‑minute visual project built to vibe with — no full songs, just verses, interludes, and pure atmosphere. I used winter‑wonderland footage from Alaska to create a drifting, cinematic world that matches the mix of hip‑hop and lofi jazz beats. It feels like a cleaner, more polished evolution of my earlier projects Milk Money and Yung Shroom At The Dice Table.
A cold, dreamlike visual diary designed to be experienced in one sitting.
“Ape Escape” is a classic hip‑hop, Slum Village‑type beat with warm drums, soulful swing, and that nostalgic bounce that pulled me into hip‑hop in the first place. I was searching for something I could flip into a visualizer, and this one instantly hit. Ape Escape is a classic — the sound, the energy, the memories — and this beat captures that feeling perfectly.
“CMXCIX – Q.TRIPLE.SIX” is a dark, trance‑driven grunge‑rap visual album inspired by Delroy and Memphis Witchcraft. Every track feels like it came from the forgotten corners of the early internet — distorted, haunted, and beautifully corrupted. The project was fueled by late‑night sessions and way too many Olde English cans, a moment in time I’m not in anymore, which makes this album even more rare.
The world of the project is built from casino imagery and video‑game aesthetics. Neon lights, dice rolling, slot machines spinning, glitchy 8‑bit screens flickering in the background. The EP feels like wandering through a digital casino at 3AM — half arcade, half fever dream. Loops spin like slot reels, drums hit like button‑mashing combos, and the verses pop up like dialogue boxes mid‑quest.
“MILK MONEY EP” was created in the dead of winter — no edits, no mixing, just pure instinct and whatever emotion the cold pulled out of me. It’s built from pitched‑up instrumentals I found, looped, and reshaped, with verses dropped in wherever the moment felt right. The whole project lives in that raw, unfiltered space before polish even becomes a thought.
“BLUE LINES: ASHBY X ANGEL” is a full visual album and a complete journey through hip‑hop, jazz, and experimental soul. The idea sparked while I was deep into Madlib and Miles Davis’ “Blue Notes” collaboration — that raw, dusty fusion that feels like a lost tape from another universe. I knew I needed my own version of that classic hip‑hop × jazz chemistry, something that felt timeless but still carried my fingerprints.