“HOT TUB ACTIVITY” is the original intro to Cabin Pleasure Vol. 1 — a smooth hip‑hop interlude with that early Cabin Pleasure warmth. For this exclusive ARCVNE drop, I added a poem at the end, turning the visualizer into a deeper, more personal version of the track.
A laid‑back groove, reflective energy, and the first glimpse into the Cabin Pleasure world.
“Acid Planet 4.0” is a N.E.R.D‑inspired snippet where I really pushed the sound design. I wanted the drums to feel like acid — sharp, melting, and unpredictable — and the bass carries that same warped energy. This is all I had for the beat at the time, so I turned it into a snippet, but I might drop the full version if the vibe calls for it.
It’s experimental, high‑energy, and built for artists who like futuristic textures, distorted rhythms, and that signature N.E.R.D bounce. If you’re into psychedelic hip‑hop beats or left‑field production, this one sits right in that lane.
“Where Is My Enemy” is one of my favorite vibes from Cabin Pleasure Vol. 3. I kept chopping this guitar sample until it transformed into my own version of Maggot Brain — stretched, emotional, and raw, but filtered through my sound.
“Happy Fourth” is me stepping into a different lane — Madlib‑style drums, dusty keys, and that loose, off‑grid swing that feels like it was pulled straight off a forgotten tape deck. Everything you hear is played and produced by me; I’m just exploring my range and seeing how far I can push my sound.
“Skip Tape Remix” came straight from a wave of nostalgia. The moment I started building this beat, it took me right back to those old AND1 mixtapes — the ones that had all of us outside trying to pull off moves we had absolutely no business attempting. I was out there thinking I was Hot Sauce, and I didn’t even have a real jumper. That’s the vibe of this track: pure confidence, zero hesitation, and a whole lot of imagination.
The film centers on a ceremony guiding a young woman into womanhood — at least, that’s how I interpreted it. The entire documentary was in French, which added this layer of mystery and distance, like I was witnessing something sacred from the outside looking in. To match that feeling, I built the drums to feel intoxicating and heavy, because that’s exactly how life hits after every major transition: overwhelming, surreal, and transformative.
I don’t intentionally miss calls. When I vanish, it’s because I’m somewhere crafting the next world‑shifting idea. I’m not avoiding people — I’m building something bigger than myself.
“Cruisin USA 64” is a high‑energy N.E.R.D‑type instrumental produced by Justen Angel, blending futuristic funk, punchy drums, and that signature alternative‑hip‑hop bounce. Built for artists who want something bold, colorful, and rhythm‑driven, this beat channels early‑2000s Pharrell vibes with a modern twist. Perfect for experimental rap, melodic flows, or anyone looking for a vibrant, fast‑paced soundtrack with real personality.
I’m dropping my instrumental project on ARCVNE. “Blue Lines” is a slice of classic Dorothy Ashby soul flipped into modern hip‑hop texture, blending harp‑driven elegance with that signature Justen Angel grit. It’s warm, jazzy, cinematic, and built for people who love timeless samples reimagined with fresh energy.
“HE‑MAN IN YO TRAP” isn’t just a short film I shot with friends — it’s an underground cultural artifact that slipped through the cracks. This thing is raw innovation disguised as chaos, packed with moments of pure gold that never got the spotlight they deserved. It’s the kind of project that belongs on ARCVNE, not buried in the algorithm.